MILOŠ VUKOVIĆ

Miloš Vuković, born in 1996 is a Serbian classical guitarist and chamber musician whose artistry is defined by interpretative depth, stylistic clarity, and a strong commitment to contemporary music.

He completed his Bachelor’s and Master’s studies at the Faculty of Arts in Niš under Prof. Vesna Petković, and in 2025 obtained a Specialist degree at the Faculty of Music in Belgrade in the class of Prof. Aleksandar Hadži-Đorđević. He is currently a doctoral student in Chamber Music at the Faculty of Music in Belgrade, where his work integrates performance and artistic research. Further artistic development has been shaped through collaboration with some of the most prominent guitarists of today, including Nikita Koshkin, Joaquín Clerch, Eduardo Fernández, Judicaël Perroy, Jérémy Jouve, Anabel Montesinos, and others, reflecting a wide spectrum of interpretative traditions and contemporary approaches.

The repertoire he performs spans from Renaissance music to the most demanding works of the 21st century, with a particular focus on contemporary and experimental literature. A central aspect of his artistic work is the expansion of the guitar’s modern voice through premieres, collaborations with composers, and interdisciplinary projects.

As a soloist, he has performed Joaquín Rodrigo’s Concierto de Aranjuez with conductor Petros Stylianou and Αθηναϊκή Συμφωνική Ορχήστρα (ΑΣΟΝ), as well as with conductor Milena Injac and the Orchestra of the Faculty of Arts in Niš. He has appeared in solo recitals across Europe, including Italy, Greece, Bulgaria, North Macedonia and Bosnia & Herzegovina.

Since 2018, he has been actively engaged in chamber music as a member of several ensembles, including the guitar quartet 4G’s, the guitar duo 2G’s, Trio de Janeiro (flute and two guitars), as well as a chamber duo with pianist Jana Marinković.

His artistic profile is further defined by an active engagement with contemporary music. He has premiered and recorded works such as 7land by Damjan Jovičin, participated in performances of Ricefall by Michael Pisaro and Paintings by Golfam Khayam, and collaborated with composer Momčilo Aleksandrić, who dedicated works to him. He is also the creator of the immersive project Guitar VR180: Tárrega & Aleksandrić – Immersive Solo Revolution.

Winner of over fifty prizes at international competitions, he is also active as a chamber musician and is regularly invited to serve as a jury member at international guitar festivals.